Open Journal Systems
Sacred Women in Coptic Cinema: Between Faith and Resistance
The present religious revival in the Arab world has not only initiated new politics or individual devotedness and piety, but has also resulted in a rise of mediated religious memories. Hence, as a promoter of a community revival, the Egyptian Coptic Orthodox Church has disseminated narratives about the Coptic saints to the members of the church. During my fieldwork among the Copts in Egypt in the nineties, I was continuously presented with these saint stories without really taking notice. But, as the storytellers seemed to insist on being heard, I started listening. Meanwhile, I had become aware of the Coptic cinema which since 1987 till today has produced and distributed more than thirty screen versions (in Arabic) about the life stories of sacred figures of the Coptic Church.
Cohen, A. P. (2000). Foreword. In A. P. Cohen (ed.), Signifying identities: Anthropological perspectives on boundaries and contested values. London: Routledge.
Das, V. & Kleinman, A. (2001). Introduction. In Das, Kleinman, Lock, Ramphele and Reynolds (Eds.), Remaking a world: Violence, social suffering, and recovery. Berkeley: University of California Press.
Jackson, M. (2002). The politics of storytelling: Violence, transgression and intersubjectivity. University of Copenhagen: Museum Tusculanum Press.
Meinardus, O. F. A. (2004). Two thousand years of Coptic Christianity. Cairo: The American University in Cairo Press.
Shafik, V. (2007). Popular Egyptian cinema: Gender, class and nation. Cairo: The American University in Cairo Press.
Thorbjørnsrud, B. (1999). Controlling the body to liberate the soul: Towards an analysis of the Coptic Orthodox concept of the body. Oslo: Unipub Forlag/Akademika AS.
- There are currently no refbacks.